But for personal reasons, perhaps, I now need a break from the darkroom at the community college.
I realized I could make prints at home without an enlarger, if I was willing to accept contact prints only. One always makes contact prints before enlarging for those 8x10 glossies and since I've been shooting large negatives (approximately 2" by 3") my contact sheets really are wallet-sized prints.
All I had to do was make my basement bathroom--a mere 25 square feet, not counting the shower--into a light-proof space, set up a low-wattage light and shine it through the negatives, resting under glass, onto a sheet of print paper. Then turn around and develop the paper in three chemical baths.
Surprisingly, my pocket darkroom came together quickly. Yards of black duck cloth were hung outside the bathroom door to seal off light. A GraLab 450 timer from eBay for $35 to precisely control light exposures from my 15-watt light. A red light of similar wattage as my "safe light" so I could see what I was doing. Three plastic trays from eBay, again, for $15 with shipping. My WorkMate repurposed to hold the light and timer, the toilet seat and tank cover to hold the three chemical bath trays and on the first go, I had a contact sheet--good as any I'd do in the darkroom.
So for a few months ahead, I'll take a break from the routine of weekly trips to the college darkroom. I'll shoot rolls of film with less of that deadline--I need something new to print!--and get my contact sheets in-house.
The truth is, All equipment for traditional film photography can be had cheaply--or free--because of falling demand. The next step? Maybe a compact enlarger for my bathroom darkroom--eBay daily specials are often less than the cost of my darkroom tuition for one term at the community college!
Read Charlie Dickinson's
story collection, The Cat
at Light's End, as an ebook in these downloadable
formats:
.mobi
(Kindle)
.epub (most other readers)
.pdf (for PCs)
Also, a flash fiction, "Ylena Thinks Nyet," is at Cigale Literary Magazine.
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