About six years ago, I took up photography
seriously as a hobby when faced with a choice: Do I buy a digital
camera or not? I ultimately decided to buck the herd and instead take
up traditional film photography.
I jumped in with both feet, buying a
Yashicamat 124 medium format twin-lens reflex (TLR) camera and signing
up for a darkroom class at the local community college. Before long, I
was making prints as large as 16" by 20" and sold some in a local
coffee shop.
In those first years, I found the
"equipment" side (cameras) interesting because of the mismatch between
the supply of used equipment and a diminishing demand for same. I
probably bought, used, and resold a dozen cameras on eBay in the name
of "exploring" cameras: medium format TLRs, 35mm rangefinders and SLRs,
and one lovable medium format "folder."
That brings us to today. I'm largely over
my used camera bug. I realized a "new" camera would be hard, however,
to resist. The problem is nobody makes affordable film cameras these
days, at least not at the prices I was paying for quality used cameras.
Then I found out about new old stock (NOS)
as in a Russian Zenit 122 35mm SLR for $75 (plus $25 for shipping from
Moscow). I found it hard to resist. The camera itself was manufactured
nearly 20 years ago in 1994. Obviously, too many were made for demand
and it sat on a shelf for all these years waiting for some photographic
retro-head like yours truly to snap it up.
I love this camera. The built-in TTL
(through-the-lens) lightmeter (two red LEDs and one OK green one) seems
about as accurate as my handheld Sekonic, judging exposures on the
half-dozen rolls of film I've shot and developed so far.
Some might mark down this camera for its
plastic-body, including the lens housing, but I'd argue plastic is
light and durable. What really matters is the Zenit's rugged
mechanicals. The shutter curtain goes back to Leica and FED designs
from the 1930s. It's well-proven technology (just don't change shutter
speeds until you cock the shutter!) and like many Russian consumer
goods, it lends itself to DIY repairs.
But ultimately a camera's virtue is the
lens.
This is an example of the 50mm f2.0
multicoated Zenitar's sharpness: how it photographs my cat!
Read Charlie Dickinson's latest novel, Losing Laika, as an ebook in these five downloadable formats:
.azw3 and .mobi (Kindle)
.epub (most other readers)
.pdf and .txt (for PCs)
(click to enlarge image)
Also read his
story collection, The Cat
at Light's End, as an ebook in these downloadable
formats:
.mobi
(Kindle)
.epub (most other readers)
.pdf (for PCs)
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