The opening scene has Vashti holding a "round pan" in her hand that has begun to glow (think iPad). "...presently she could see the image of her son, who lived on the other side of the earth, and he could see her." They then talk. (Think Skype running on an iPad)..
Something quite similar to our beloved
Web
is afoot in Forster's imaginative world: The "Machine'" does
everything
for human beings, enabling them to live agoraphobic, hermetic
lives in
human-sized beehive-like cells.
I might also mention Forster's prescient genius anticipates
Internet
radio/iTunes and downloadable music, describing similar phenomena.
Moreover, Vashti's chief meaningful occupation, giving lectures to
an
audience of subscribers to her "content" via the Machine's network
bares a striking similarity to blogging, YouTube, and the rest of
social media today.
How did Forster, at the start of the last century, get so many
details
right?
Yes, Forster, with this one short story, has apparently surpassed legions of SF writers for decades to come with a technically familiar, connected Information Age. But I would argue Forster's greater achievement is getting at the emotional truth of what the Information Age delivers--or does not deliver--for the character of civilization and the needs of the human soul.
Read Charlie Dickinson's
story collection, The Cat
at Light's End, as an ebook in these downloadable
formats:
.mobi
(Kindle)
.epub (most other readers)
.pdf (for PCs)
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